“Yes, every last fish,” Allicot answered. “You see, when the surround is completed, you, being the guest of honour, must take a harpoon and impale the first one. It is the custom. Then everybody goes in with their hands and throws the catch out on the sand. There will be a mountain of them. Then one of the chiefs will make a speech in which he presents you with the whole kit and boodle. But you don’t have to take them all. You get up and make a speech, selecting what fish you want for yourself and presenting all the rest back again. Then everybody says you are very generous.” The man had repeated this remark to his mistress who, not being able to keep the bird, took this means of getting rid of it.!

The following day a sign was posted on the door; the chemist screamed in her ear that the house was for sale. Before we were aware, we were close in to Tahaa (pronounced Tah-hah-ah, with equal accents), and Tehei was grinning approval of the vahine’s proficiency at bailing. The canoe grounded on a shallow shore, twenty feet from land, and we waded out on a soft bottom where big slugs curled and writhed under our feet and where small octopuses advertised their existence by their superlative softness when stepped upon. Close to the beach, amid cocoanut palms and banana trees, erected on stilts, built of bamboo, with a grass-thatched roof, was Tehei’s house. And out of the house came Tehei’s vahine, a slender mite of a woman, kindly eyed and Mongolian of feature—when she was not North American Indian. “Bihaura,” Tehei called her, but he did not pronounce it according to English notions of spelling. Spelled “Bihaura,” it sounded like Bee-ah-oo-rah, with every syllable sharply emphasized.

And suddenly, out there where a big smoker lifts skyward, rising like a sea-god from out of the welter of spume and churning white, on the giddy, toppling, overhanging and downfalling, precarious crest appears the dark head of a man. Swiftly he rises through the rushing white. His black shoulders, his chest, his loins, his limbs—all is abruptly projected on one’s vision. Where but the moment before was only the wide desolation and invincible roar, is now a man, erect, full-statured, not struggling frantically in that wild movement, not buried and crushed and buffeted by those mighty monsters, but standing above them all, calm and superb, poised on the giddy summit, his feet buried in the churning foam, the salt smoke rising to his knees, and all the rest of him in the free air and flashing sunlight, and he is flying through the air, flying forward, flying fast as the surge on which he stands. He is a Mercury—a brown Mercury. His heels are winged, and in them is the swiftness of the sea. In truth, from out of the sea he has leaped upon the back of the sea, and he is riding the sea that roars and bellows and cannot shake him from its back. But no frantic outreaching and balancing is his. He is impassive, motionless as a statue carved suddenly by some miracle out of the sea’s depth from which he rose. And straight on toward shore he flies on his winged heels and the white crest of the breaker. There is a wild burst of foam, a long tumultuous rushing sound as the breaker falls futile and spent on the beach at your feet; and there, at your feet steps calmly ashore a Kanaka, burnt, golden and brown by the tropic sun. Several minutes ago he was a speck a quarter of a mile away. He has “bitted the bull-mouthed breaker” and ridden it in, and the pride in the feat shows in the carriage of his magnificent body as he glances for a moment carelessly at you who sit in the shade of the shore. He is a Kanaka—and more, he is a man, a member of the kingly species that has mastered matter and the brutes and lorded it over creation. This is the way it is done. The canoes form in line, one hundred to two hundred feet apart. In the bow of each canoe a man wields a stone, several pounds in weight, which is attached to a short rope. He merely smites the water with the stone, pulls up the stone, and smites again. He goes on smiting. In the stern of each canoe another man paddles, driving the canoe ahead and at the same time keeping it in the formation. The line of canoes advances to meet a second line a mile or two away, the ends of the lines hurrying together to form a circle, the far edge of which is the shore. The circle begins to contract upon the shore, where the women, standing in a long row out into the sea, form a fence of legs, which serves to break any rushes of the frantic fish. At the right moment when the circle is sufficiently small, a canoe dashes out from shore, dropping overboard a long screen of cocoanut leaves and encircling the circle, thus reinforcing the palisade of legs. Of course, the fishing is always done inside the reef in the lagoon. The Minota was a teak-built, Australian yacht, ketch-rigged, long and lean, with a deep fin-keel, and designed for harbour racing rather than for recruiting blacks. When Charmian and I came on board, we found her crowded. Her double boat’s crew, including substitutes, was fifteen, and she had a score and more of “return” boys, whose time on the plantations was served and who were bound back to their bush villages. To look at, they were certainly true head-hunting cannibals. Their perforated nostrils were thrust through with bone and wooden bodkins the size of lead-pencils. Numbers of them had punctured the extreme meaty point of the nose, from which protruded, straight out, spikes of turtle-shell or of beads strung on stiff wire. A few had further punctured their noses with rows of holes following the curves of the nostrils from lip to point. Each ear of every man had from two to a dozen holes in it—holes large enough to carry wooden plugs three inches in diameter down to tiny holes in which were carried clay-pipes and similar trifles. In fact, so many holes did they possess that they lacked ornaments to fill them; and when, the following day, as we neared Malaita, we tried out our rifles to see that they were in working order, there was a general scramble for the empty cartridges, which were thrust forthwith into the many aching voids in our passengers’ ears.